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The Graphic Technology range, more below on: 
graphiclite colour viewing lamps
PDV e series professional desktop viewers
softproofing systems
multi source Viewers
wall viewing systems
floor standing light units & photo copy lighting
standard grey paint for workrooms
overhead light units

Why do you need an illuminated viewer, for use when viewing prints, proofs and even objects like packs and props?
Ambient studio, office and printroom lighting and the viewing of calibrated monitor displays, prints and proofs - and even objects - is, after display calibration, one of the most important, but seldom properly considered, parts of the colour management jigsaw. Prints, proofs and objects such as products and garments may have significantly different appearance under varying light sources. Consistent Industry Standard illumination is the answer.
The image here shows a small lightbox / light booth right alongside a user's screen, in these circumstances I would recommend a much bigger gap, or, even better, as colour management guru Bruce Fraser suggested, site the lightbox so you have to turn 90 degrees in your seat to look at it.

Industry Standard lightbooth manufacturer, Graphic Technology, also known as GTI, is my favoured supplier for this sector. Alongside their well respected high-end print industry equipment (right) and supply of colour balanced tubes for sensitive environmental lighting, GTI also offer good quality compact desktop viewers.
GTI have a wide product range and I am happy to talk with you about any of their models, featured here are those of most interest to Graphic Arts industry users: Desktop systems include the PDV e series Professional Desktop Viewers, Intensity Adjustable Softproofing Systems and Multi Lightsource Viewers. These print, proof and object viewers provide Imaging Industry Standard colour viewing conditions.  More options below.

I also supply GTI standard grey paints and proper colour accurate GTI "Graphiclite 100 Colour Viewing Lamps", with or without fittings for computer rooms and working areas. Many customers enjoy the benefits of a simple colour balanced room light as a first step towards "correct colour viewing" at a very reasonable price.

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

below: 
graphiclite colour viewing lamps
PDVe professional desktop viewers
softproofing systems
multi lightsource viewers
wall viewing systems
floor standing light units & photo copy lighting
standard grey paint for workrooms
overhead light units

graphiclite 100 colour viewing lamps, the basis for accuracy

One of the most important features of Graphiclite colour viewing systems is the lamp quality, the combination of excellent lamps and very high quality electronics and manufacture means that these systems provide unparalleled accuracy.

 •  5000K
 •  Accurate lighting for colour evaluation
 •  Consistent standardised light
 •  High CRI
 •  Full Spectrum Daylight
 •  Colour Corrected
 •  Colour Balanced

Graphiclite 100 lamps are manufactured with a unique blend of fluorescent phosphors. Unequalled by any other 5000 Kelvin lamp in the industry, the Graphiclite 100 produces a true full spectrum white light which renders colours with the highest degree of accuracy and efficiency.

lamp brochure

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

 

the PDV e range, compact folding desktop viewers

The PDV-e range of folding viewers utilises innovative, energy efficient slim-line lamps and compact electronic ballasts. Improved lamp and reflector technology provides a smaller and more convenient light source without compromising either light intensity or evenness of illumination. 

 

The PDV e family

The e-series PDV "Professional Desktop Viewers" use the latest multi-voltage electronic ballasts with T8 Graphiclite lamps, designed to provide increased quality and efficiency at a lower cost. All models come pre-assembled with a unique hinged design that allows quick and easy set up for viewing and equally fast fold-up for storage or transport.

Accessory sidewalls (shown below on PDV-2e), available for each model, are recommended to reduce light spill and allow tighter compliance to the D50 industry viewing standard. The new PDVe models also provide significantly greater viewing areas compared with the earlier generation.

more on the PDV viewers here at GTI        PDV 2e brochure

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

**Soft proofing, revisions to ISO standard require dimmable proof viewers

ISO 3664, p2 (2009) Viewing Conditions for graphic technology and photography 

**Hardcopy proofing
Comparing hardcopy printed proof and published print calls for 2000 lux illumination and a color temperature of D50

**Soft proofing
For a comparison of a printed proof and an on-screen soft proof latest standards specify as follows:

The viewing booth should have an illuminance value of 500 ± 125 lux and a color temperature of D50.

This allows for a more reasonable working display screen luminance in the region of 110 cdM2

 

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

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standard grey neutral vinyl latex paint

Standard Grey Neutral 7 and 8 are water-reducible vinyl latex paints, N7 is for use in colour viewing areas which require Munsell N7/ grey surround as specified by ASTM D1729-2009. Available in gallons or pints.

Now, prepare new colour viewing facilities or refurbish old ones with the industry-specified neutral matte grey specifically formulated for colour viewing areas. Standard Grey Neutral 7 or Standard Grey Neutral 8 is available in one gallon or one pint cans, for convenient application by roller, spray gun, or brush. Approximate coverage, 450 square feet per gallon.

Not all greys are neutral!
A “neutral” grey is not simply a black-white mix, but an equal mixture of all the spectrum (r-o-y-g-b-i-v) colours. A spectrophotometric measurement of such a grey will show it to contain approximately equal amounts of those spectrum colours. Non-neutral greys causing a cold or warm colour shift under differing lighting conditions since they unequal amounts of the spectrum colours.

Why is Neutral Grey specified and recommended for colour viewing? 
1. GTI Standard Grey Neutral paints eliminate a symptom known as “simultaneous colour contrast”. For example, a red sample viewed on a blue background has a visible orange cast, while the same red viewed on a yellow background appears slightly purple, this is how simultaneous colour contrast manifests. For the eye to see colour accurately, it is imperative that the surrounding environment be chromatically neutral.

2. GTI Standard Grey Neutral paints minimise “colour pollution” of viewing areas caused by reflections from chromatic surfaces. When D50 or D65 standard illumination is reflected from coloured walls, etc., its colour quality changes significantly, so it is no longer “standard”. The application of a neutral grey can eliminate such colour pollution by providing spectrally neutral surfaces around the viewing area.

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

paint brochure

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new: intensity adjustable soft proofing systems:

Soft proofing represents a valuable opportunity to shorten the print production cycle, while improving communications between colour image service providers and their clients. New tools and technologies have created a platform to reap the benefits of this exciting technology. Critical to the successful implementation of accurate soft proofing is the viewing environment.

GTI viewing systems with the digital dimming feature are designed to assure consistent colour appearance throughout the reproduction process and help you implement successful soft proofing.

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

softproofing: SOFV-1xi System

The SOFV-1xi is a D50 viewing system, with a 19.5 in x 24 in (50 cm x 61 cm) viewing area, for soft proofing. This SOFV-1xi model does not include the iQ sensor for automatic calibration (see: SOFV-1xiQ below).

Precise design and unique features make the SOFV-1xi an excellent choice for demanding desktop soft proofing applications. Graphiclite D50 lamp quality assures consistent, accurate colour rendition and the digital control allows precise luminance matching to the monitor.

The SOFV-1xi viewing station includes adjustable light shields for both upper and lower luminaires to enable you to optimise the viewing experience, a steel viewing surface to allow the use of the included magnets to precisely position artwork, and easy access controls mounted on the front panel.
please get in touch for special pricing     
more on SOFV range here          SOFV 1xi brochure

softproofing: SOFV-1xiQ System

The innovative new SOFV-1xiQ system includes he new iQ wireless light sensor with a desktop viewing station providing a 19.5 in x 24 in (50 cm x 61 cm) viewing area. The iQ sensor is used to automate the luminance match between a colour monitor and the 1xiQ viewing station. SOFV-1xiQ features an integrated processor which enables wireless communication with the iQ sensor, automatic luminance matching, automatic calibration and ambient light monitoring ensuring that ISO 3664:2009 D50 colour viewing standards are met. The SOFV-1xiQ transforms calibration from a manual skilled process to an automated streamlined process. Efficiency is further enhanced by the wireless connectivity between your workstation and viewing station without a USB connection.
please get in touch for special pricing
more on SOFV range here at GTI      SOFV 1xiQ brochure

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multi source and MiniMatcher viewers:

Multi-Source viewing booths provide a selection of spectrally different light sources for the evaluation of colour and metamerism*, the way that a colour visually changes under different lighting. These multi source systems are ideal for viewing printed work, the inspection and colour matching of paints, plastics, textiles, garments, paper, colourants, cosmetics, and packaging materials. 
Perfect for client colour presentations, lab applications....anywhere colour is critically viewed! 

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

the PDV-2e/M

The PDV-2e/M complies with ASTM D1729 standards and is an ideal tool for visual colour assessment, comparison of colour variations, and the detection of metamerism*. 
The PDV-2e/M4 features 4 light sources - 1: D65 (or D50), 2: CWF (TL84 optional), 3: Incandescent, and 4: UV, also an E.T.M. elapsed time meter to monitor usage of the daylight source, and an international voltage selector. (PDV-M3, as above but without UV)
Unique hinged construction allows quick set-up and pack-away. Sidewalls assure tight control of viewing environment and are conveniently stored on the rear of the unit. 

(*Metamerism = when colour samples appear to match under one illumination condition but may distinctly change when viewed under different illumination, in practice, this is manifested as the inability of objects to maintain consistent appearance under differing lighting conditions). 

Dimensions and pricing: PDV-2e/M3&4 Portable multi-source desktop viewer 
Dimensions, Open: 17 x 19 x 11.5 inches (43 x 48 x 29 cm) Folded: 3.5 x 19 x 16 inches (9 x 48 x 41 cm)
PDV-2e/M3 Portable system with D65 or D50, CWF (or TL84), Tungsten and sidewalls.  , ask me for special pricing.
PDV-2e/M4 Portable system with D65 or D50, CWF (or TL84), Tungsten, UV and sidewalls.   ask me for special pricing.   

Option: Custom fitted Cordura nylon carrying case.       
more info on the PDV-2e/M here at GTI

minimatcher series, various sizes

Ideal for product manufacturers, digital photographers and designers etc. those users who want a better way of illuminating products accurately. Accurate viewing of objects such as products and packs is plainly important in the design process but is also very important for photographers when working (partly because studio flash "modelling" lights are not colour balanced - they do not match the flash or daylight used to actually capture an image).
A multi source viewer such as this is also very useful when colour correcting.
I recommend the MM-1e viewing box, which can easily take an A3+/B3 proof. Other sizes are available.
GTI "MiniMatcher" provides, as standard, three spectrally dissimilar sources of illumination to assure accurate visual colour assessment and color comparison as well as easy detection of metamerism*. MiniMatcher is simple to operate, with an individual rocker switch for each source.
A useful elapsed time meter to monitor usage of the daylight source is available as an option.

MM-1e is supplied with three Light Sources as standard: 
Artificial Daylight (D65 or D50) (dimmable option for monitor "softproof" matching).
Store Lighting (CWF or TL84) for "in store" product colour assessment 
Home Tungsten Lighting (Incandescent A) 
Plus a very useful Ultraviolet option (UVA BLB) for optical brightener detection.
Viewing area: 14.25" x 24" x 13.25", 36 cm × 61 cm × 34 cm

Guide prices only, please CONTACT ME, provide a number and I'll call you back, we discount on GTI: 
MM1e "Minimatcher" with 3 switchable lightsources,
MM1e with 3 switchable lightsources plus UV, Please email for special pricing

more info on Mini matcher here at GTI      colour matching systems brochure

*Metamerism = when colour samples appear to match under one illumination condition but distinctly change when viewed under a different illumination condition, in practice, the inability of objects to maintain consistent appearance under differing lighting conditions. 

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vertical wall viewing systems

To deliver proper light intensity and uniformity over a large vertical viewing surface, an optimised system of overhead luminaires and mounting brackets, viewing lamps and accessories such as wall panels and neutral grey wall paint is required.

GTI Vertical Wall Systems Feature:

An innovative parabolic lens
Easy-to-install wall brackets precisely position luminaires for superior viewing
Graphiclite® 5000K lamps
Wireless remote available
LiteGuard II System monitoring to assure proper maintenance of GLE series luminaires is available
Shown at right with Munsell N8/ neutral grey metal wall panels
Order as a single-source, dual-source, or multi-source fixture

Graphiclite Luminaires

Luminaires (the lamps) are the key component of a vertical wall viewing system. GTI's Graphiclite luminaires feature an innovative parabolic lens and geometry design that provide superb light uniformity over a large vertical area. All GTI luminaires utilize Graphiclite 100 Colour Viewing Lamps and are engineered to provide precisely balanced D50 output.

Luminaires are available in two styles. The GLE series has a thin profile which is ideal for conference rooms and design studios. The GLL series is designed for colour viewing in production areas. Luminaires are configured with single-source D50 lighting as a standard. Dual-source or multi-source luminaires to simulate home and store lighting conditions are available. Fixtures can be ordered in four or five foot lengths. A wireless remote control is available for all fixtures. For soft proofing applications, a digital dimming feature is available on four foot models. 
 

GTI's GLE (left) and GLL (right) series luminaires, shown with wall brackets, are available in 4 and 5 foot models. GLE luminaires have a front power switch and a power cord which plugs into a standard outlet. GLL luminaires must be hard wired into a switched power circuit. Both models are available with a wireless remote control.

wall viewing brochure

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

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Wall Panels

GTI's custom Munsell N8/ neutral grey panels are mounted to the wall. Panels up to four foot by eight foot are available. For larger areas, multiple panels can be placed edge to edge. Panels feature a steel viewing surface to allow the use of magnets (included) to hold artwork. Munsell N8/ neutral grey paint is available for background walls.

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

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floor standing VLS light units

Similar units to the GLE-M below stand mounted for ease of movement. Ideal for vertical viewing and for artwork capture (e.g. use as very accurate photo lighting). 

The system combines a high-powered GLE-1032 light fixture with a rolling, height adjustable vertical stand that can be locked in position to illuminate a vertical surface. Two of these systems provide superb light evenness over large surfaces. Lamps can also be stacked vertically, two per stand to deliver 8’ - 10’ of vertical wall illumination.

Features include dual intensity control and the GTI LiteGuard II viewing system monitor (indicates when unit is warming up and when unit needs to be relamped). 

floor standing units, brochure

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

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overhead light units, GLE-M range

Multi-Source Overhead Luminaire for Large Sample Visual Evaluation

Included Standardized Light Sources:
        •  Artificial Daylight (D50, D65, or D75)
        •  Store Light (CWF or TL84)
        •  Home Light (Incandescent A)
        •  Optional Source on GLE-M5/32 (TL83 3000K standard)
        •  Ultraviolet (BLB) 

Precise light source control ... push button control panel provides "instant on" standardised light source selection plus easy to use Automatic Light Source Sequencing. Buttons illuminate to indicate light source in use. The GTI ColorGuard II indicates hours used and hours until relamp for all sources.

Ideal for any sample size ... the unique design of the GLE-M series allows you to operate up to 8 overhead luminaires with a single remote control. The GLE-M4/32 (or GLE-M5/32) is used for single luminaire installation and comes with the advanced "soft-touch" digital lamp control and the GTI ColorGuard II lamp timing centre. Remote control and multiple unit installations are easily accommodated.
(Note: Remote control and multiple unit applications require special models. Contact me for details.)

Please click here to contact me by email, if you provide contact details and a little info. about your needs and Neil Barstow will call you to talk over your requirements.

full GTI brochure here